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Subject: "RB Rep 2002-03" Archived thread - Read only
 
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Conferences News, Company and venue information Topic #1224
Reading Topic #1224
Brendan McCarthymoderator

10-03-02, 07:52 AM (GMT)
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"RB Rep 2002-03"
 
   LAST EDITED ON 10-03-02 AT 08:16 AM (GMT)

When Ross Stretton was interviewed by Valerie Lawson during the week for The Age, he confirmed to her a number of decisions about next year's repertory that had merely been hinted at in his recent remarks to the Ballet Association. There was also one very important new fact.

Natalia Makarova is to produce the new Sleeping Beauty, which will be designed by Luisa Spinatelli. Ross Stretton also confirmed that Mark Morris would work with the RB in 2002-3, and that the coming year's rep would also include a work by Kylian. Valerie's piece is available on this link, while the Ballet Association report is in the February magazine

Next year's rep will be announced on March 27th.


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  Subject     Author     Message Date     ID  
  RE: RB Rep 2002-03 Paul A 15-03-02 1
     RE: RB Rep 2002-03 eugdog 15-03-02 2
         RE: RB Rep 2002-03 Flight 31-07-02 8
     RE: RB Rep 2002-03 James 15-03-02 3
         RE: RB Rep 2002-03 Viviane 15-03-02 4
  RE: RB Rep 2002-03 alison 15-03-02 5
     RE: RB Rep 2002-03 Paul A 29-07-02 6
         RE: RB Rep 2002-03 alison 30-07-02 7

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Paul A

15-03-02, 01:09 PM (GMT)
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1. "RE: RB Rep 2002-03"
In response to message #0
 
   Surprised nobody has commented on this.

Not madly excited at the prospect given Makarova's half-baked Swan Lake for ENB and dreary Bayadere.

Let's hope she's found some more flair and theatrical nous in the interim. Who knows anything about Spinatelli?


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eugdog

15-03-02, 02:44 PM (GMT)
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2. "RE: RB Rep 2002-03"
In response to message #1
 
   I would have preferred a new Swan Lake to Sleeping Beauty. Do you remember the TV series the House when the evil corporate affairs boss (sorry cannot remember his name -was it Keith Cooper?) justified the gigantic expenditure on "Beauty" saying it would last 50 years! Well that is one prediction gone totally wrong!

I am must take the opposite view with Markorova - I was very impressed with her Swan Lake (as seen on DVD) despite the happy ending! Her Bayadere is pretty good - it had the right emphasize on drama as well as dance. Nureyev supposedly better production just incorporates a few more dances in the over long betrothal scene and has no restored 4 act! Hardly anything to write home about!


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Flight

31-07-02, 06:57 AM (GMT)
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8. "RE: RB Rep 2002-03"
In response to message #2
 
   Eudog, there isn't a happy ending in the Makarova version! I've always taken it that they jump into the lake, die and then walk to some sort of afterlife.


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James

15-03-02, 02:55 PM (GMT)
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3. "RE: RB Rep 2002-03"
In response to message #1
 
   Luisa Spinatelli's work can been seen in the Berlin State Opera production of Swan Lake choreographed by Patrice Bart, which I think is avaialable on video and DVD - I taped it from the Performance Channel broadcast. She designed the costumes and the sets, the former turn of the century with Acts 2 and 4 very conventional, the latter quite plain and uncluttered. I believe she has also designed for POB and Rome.


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Viviane

15-03-02, 05:19 PM (GMT)
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4. "RE: RB Rep 2002-03"
In response to message #3
 
   Italian born, Luisa Spinatelli is an impressive designer in the world of costumes and scenery.
She works for ballet, opera and theater and started mid-sixties at La Scala in Milan.
Sometimes she is responsible for both the scenery and the costumes and worked in all important theatres in Italy and numerous abroad.
I know she designed -in the seventies and eighties-for productions by Carla Fracci and Beppe Menegatti(R&J)and for Aterballetto in Italy. (to name a few)
She has worked very close with Roland Petit : costumes for "Clavigo" at POB (1999), "La Belle au bois dormant" (1990), "The Queen of Spades" for the Bolshoi, etc....
As James stated already, she collaborated with P.Bart in "Swan Lake"(1997)and "Nutcracker"(1999).
More recently she created the costumes for "Coppelia" at the Opera in Rome.

Undoubtely, one of her masterpieces is the scenery and costumes for Pierre Lacotte's "Paquita" which I could admire on the POB-stage a year ago...."breathtaking" !!!!!

I'm not surprised she worked/is working with Roland Petit ! Currently I'm reading a book about all famous artists (designers, painters, sculptors) who collaborated with him. From Cocteau and Picasso, Bréard, Wakhevitch, Fini, Delvaux, Buffet, Niki de Saint-Phalle, Ernst, Hockney, Coltellacci, Wunderlich, Haring, Erté (and many more !)...to Dior and YSL.
An enchanting, creative world with lots of reminiscenses to the Diaghilev-period !


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alison

15-03-02, 05:28 PM (GMT)
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5. "RE: RB Rep 2002-03"
In response to message #0
 
   While sitting attempting to watch Bayadère from towards the rear of the amphitheatre the other night, I found myself desperately hoping that the new production of Beauty would take account of the theatre it's designed for, i.e. remember not to put anything of significane up the back wall where half the amphitheatre can't see it (remember the non-existent Lilac Fairy in the final tableau of the current production? It'll be even worse now there are another half-dozen rows added to the back of the amphi), or in the rear corners where people down the sides can't see. Well, I can dream, can't I?


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Paul A

29-07-02, 05:24 PM (GMT)
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6. "RE: RB Rep 2002-03"
In response to message #5
 
   I've only just realised I could have answered my own question about Spinatelli (but thanks for all the insights everybody). She designed the Royal Opera's Fedora in quite a stylish but fairly anonymous way - the sort of sets that don't earn a round of applause but they do the job, with smart clothes derived from fashion plates.

All of which suggests to me that we will see a traditional Beauty of some grandeur, the designs helping to tell the story.


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alison

30-07-02, 01:12 PM (GMT)
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7. "RE: RB Rep 2002-03"
In response to message #6
 
   What, as opposed to getting in the way of the choreography? THat'll be a nice change .


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