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Brendan McCarthy
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10-03-02, 07:52 AM (GMT) |
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"RB Rep 2002-03"
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LAST EDITED ON 10-03-02 AT 08:16 AM (GMT) When Ross Stretton was interviewed by Valerie Lawson during the week for The Age, he confirmed to her a number of decisions about next year's repertory that had merely been hinted at in his recent remarks to the Ballet Association. There was also one very important new fact. Natalia Makarova is to produce the new Sleeping Beauty, which will be designed by Luisa Spinatelli. Ross Stretton also confirmed that Mark Morris would work with the RB in 2002-3, and that the coming year's rep would also include a work by Kylian. Valerie's piece is available on this link, while the Ballet Association report is in the February magazine Next year's rep will be announced on March 27th. |
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Paul A
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15-03-02, 01:09 PM (GMT) |
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1. "RE: RB Rep 2002-03"
In response to message #0
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Surprised nobody has commented on this. Not madly excited at the prospect given Makarova's half-baked Swan Lake for ENB and dreary Bayadere. Let's hope she's found some more flair and theatrical nous in the interim. Who knows anything about Spinatelli? |
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eugdog
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15-03-02, 02:44 PM (GMT) |
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2. "RE: RB Rep 2002-03"
In response to message #1
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I would have preferred a new Swan Lake to Sleeping Beauty. Do you remember the TV series the House when the evil corporate affairs boss (sorry cannot remember his name -was it Keith Cooper?) justified the gigantic expenditure on "Beauty" saying it would last 50 years! Well that is one prediction gone totally wrong! I am must take the opposite view with Markorova - I was very impressed with her Swan Lake (as seen on DVD) despite the happy ending! Her Bayadere is pretty good - it had the right emphasize on drama as well as dance. Nureyev supposedly better production just incorporates a few more dances in the over long betrothal scene and has no restored 4 act! Hardly anything to write home about! |
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Viviane
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15-03-02, 05:19 PM (GMT) |
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4. "RE: RB Rep 2002-03"
In response to message #3
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Italian born, Luisa Spinatelli is an impressive designer in the world of costumes and scenery. She works for ballet, opera and theater and started mid-sixties at La Scala in Milan. Sometimes she is responsible for both the scenery and the costumes and worked in all important theatres in Italy and numerous abroad. I know she designed -in the seventies and eighties-for productions by Carla Fracci and Beppe Menegatti(R&J)and for Aterballetto in Italy. (to name a few) She has worked very close with Roland Petit : costumes for "Clavigo" at POB (1999), "La Belle au bois dormant" (1990), "The Queen of Spades" for the Bolshoi, etc.... As James stated already, she collaborated with P.Bart in "Swan Lake"(1997)and "Nutcracker"(1999). More recently she created the costumes for "Coppelia" at the Opera in Rome.Undoubtely, one of her masterpieces is the scenery and costumes for Pierre Lacotte's "Paquita" which I could admire on the POB-stage a year ago...."breathtaking" !!!!! I'm not surprised she worked/is working with Roland Petit ! Currently I'm reading a book about all famous artists (designers, painters, sculptors) who collaborated with him. From Cocteau and Picasso, Bréard, Wakhevitch, Fini, Delvaux, Buffet, Niki de Saint-Phalle, Ernst, Hockney, Coltellacci, Wunderlich, Haring, Erté (and many more !)...to Dior and YSL. An enchanting, creative world with lots of reminiscenses to the Diaghilev-period ! |
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Paul A
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29-07-02, 05:24 PM (GMT) |
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6. "RE: RB Rep 2002-03"
In response to message #5
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I've only just realised I could have answered my own question about Spinatelli (but thanks for all the insights everybody). She designed the Royal Opera's Fedora in quite a stylish but fairly anonymous way - the sort of sets that don't earn a round of applause but they do the job, with smart clothes derived from fashion plates. All of which suggests to me that we will see a traditional Beauty of some grandeur, the designs helping to tell the story. |
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