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Subject: "Latest Review Links - week starting Saturday 5 April 2003"
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Bruce
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05-04-03, 08:46 AM (GMT) |
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"Latest Review Links - week starting Saturday 5 April 2003"
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Each day we add the latest links to reviews and interviews that we find on the major newspaper web sites around the world. If you find a link that we have missed do please post it up, preferably as a URL link.Last week's thread: http://www.danze.co.uk/dcforum/happening/3505.html Bookmarking this page: Click on the following link and then bookmark the links page that comes back - it's a special URL that will always bring you to the thread with the latest reviews: www.ballet.co.uk/todayslinks We should not need to state this but these links are for our readers' use and not for other websites to take and pass off as their own. We ask all visitors to respect Ballet.co's site and the way it operates. |
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Bruce
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05-04-03, 08:59 AM (GMT) |
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1. "Saturday Links - 5 April 2003"
In response to message #0
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Kylie Minogue (and Rambert) Sugar Plum Kylie Pop pixie films a special dance for ballet show in her mum's homeland Scotland by Stephen White "KYLIE Minogue will add another string to her bow next week when she appears as a ballet dancer. "And the multi-talented singer's latest skills will be unveiled in Wales - in honour of the pop diva's Welsh mother." http://www.dailyrecord.co.uk/news/page.cfm?objectid=12811973&method=full&siteid=89488Washington Ballet Washington Ballet's Bold New 'Mood' Mood Swings: The Reassuring Effects of Form and Poetry, Rubies, Unknown Territory USA, Washington, Kennedy Center, Eisenhower Theater Dancers: Bland, Jimenez, Jordon, Krocil, Mahoney, Nelson, Palomo, Urgelles by Sarah Kaufman "In a classically based world premiere, a newly acquired work by a master and a piece dusted off from its bright past, the Washington Ballet demonstrated it can command attention on the strength of beautiful dancing alone. The program was called "Mood Swings," but there was just one feeling in evidence: confidence." Washington Post Washington Ballet Ballet soars with virtuosity Mood Swings: The Reassuring Effects of Form and Poetry, Rubies, Unknown Territory USA, Washington, Kennedy Center, Eisenhower Theater Dancers: Bland, Du, Jimenez, Jordon, Krocil, Mahoney, Nelson, Palomo, Urgelles by Jean Battey Lewis "...His new ballet is admirable on many levels. Waves of fresh, imaginative dancing spill across the stage; the movement is both virtuosic and nuanced. "Its only flaw: The ballet is burdened with an unwieldy title — 'The Reassuring Effects of Form and Poetry.'" Washington Times Houston Ballet and Paul Taylor Dance Company KenCen tribute is Taylor-made Washington By Jean Battey Lewis "Choreographer Paul Taylor's recently created "Promethean Fire" is scheduled to be performed here by his company next week in an unusual evening that pairs the Taylor group with the Houston Ballet in the Kennedy Center's latest bit of inspired programming." http://www.washtimes.com/arts/20030405-98615500.htm Stuttgart Ballet Stuttgart is back, staging ballet classic San Diego By Jennifer de Poyen ""John (Cranko) had an amazing ability to take the audience's eye where he wanted it to go," Anderson said. "In the crowd scenes, you never lose track of the dramatic action. And in the (duets), you get not just beautiful dancing but a lot of psychological information on what the couple is going through. It's really a jewel." http://www.signonsandiego.com/news/features/20030404-9999_1c4stuttgart.html Les Ballets C de la B 4 stars Foi UK, London, Queen Elizabeth Hall by Judith Mackrell "The cast are extraordinary, reckless and compelling, and Cherkaoui is clearly a major talent. Though Foi might, objectively, benefit from some sharp editing, its vision cuts disturbingly close to the bones of our current situation" The Guardian Parsons Company Parsons out of step with music Rise and Fall, Slow Dance, Swing Shift, Caught USA, Los Angeles, Cerritos Center Dancers: Ahn, McGinnis, McRae, McSwain, Skarpetowska by Laura Bleiberg "It was choreographic genius George Balanchine who mused that ballet audiences could always close their eyes and listen to the beautiful music if the dance got boring. "That became worthy advice - more often than not - during Parsons Dance Company's show..." Orange County Register Pacific Northwest Ballet Mixed bill by PNB includes world premiere of new `Zais' Seattle by Carole Beers "It's payback time for Christopher Stowell. "In creating ``Zais'' for Pacific Northwest Ballet, the gifted former dancer with New York City Ballet and San Francisco Ballet is giving back not only to the organization that first shaped his talent, but also to his parents, Kent Stowell and Francia Russell, PNB's artistic directors." http://www.kingcountyjournal.com/sited/story/html/127110 Spectrum Dance Theatre Spectrum shows off its daring new vigor In a Different Light, A Cruel New World/the new normal USA, Seattle, Intiman Playhouse by Alice Kaderlan Halsey "There was a palpable buzz in the air Thursday night even before the curtain went up on Spectrum Dance Theater's inaugural performance under internationally acclaimed artistic director Donald Byrd. By the time the evening was over, that excitement had turned to thunderous applause, and with good reason." Seattle Post-Intelligencer Eiko & Koma Static Electricity Choreographers Eiko and Koma make a ritual 'Offering' to the life cycle Boston By Karen Campbell "The central image in ''Offering,'' Eiko and Koma's most recent dance/theater work, is a large, open container filled with dark soil. Sticks reminiscent of bones emerge from the corners, like the handles of a bier, and allow the nest-like box to be turned on its axis, ever so slowly. A microphone underneath the set amplifies the sound of the dirt as the dancers sift and dig, bury and unearth. It is a poetically distilled evocation of both loss and regeneration." http://www.boston.com/dailyglobe2/094/living/Static_Electricity+.shtml Gus Solomons on film 'GBH delivers 1-2 punch Boston by Theodore Bale "Aside from his significant choreographic contributions, Solomons has been a major force in American dance as a critic. His reviews have appeared during the past decades in such publications as Dance Magazine, The Village Voice and The New York Times, and he has always been a brilliant speaker about dance." http://www2.bostonherald.com/entertainment/arts_culture/danc04042003.htm
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Bruce
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06-04-03, 08:09 AM (GMT) |
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2. "Sunday Links - 6 April 2003"
In response to message #0
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Royal Ballet - Nureyev Tribute bill London We have a rapidly developing thread on the new tribute bill - first views emerged within an hour of curtain down and a full review at 1:40 AM! More here: http://www.danze.co.uk/dcforum/happening/3527.htmlRoyal Ballet Sleeping Beauty UK, London, Covent Garden Dancers: Cojocaru, Putrov by Jann Parry "..Putrov danced with such flair and nobility that he was obviously heaven-sent. His precision complements Cojocaru's delicate strength - and he's learnt, at last, how to be at ease on stage." The Observer Alvin Ailey American Dance Theater The House That Alvin, of All People, Built New York By Jennifer Dunning "Ailey took his responsibility seriously. "The cultural heritage of the American Negro is one of America's richest treasures," Ailey once wrote in a statement that still defines the mission that has driven the Ailey institution. "From his roots as a slave, the American Negro — sometimes sorrowing, sometimes jubilant but always hopeful — has touched, illuminated, and influenced the most remote preserves of world civilization. I and my dance theater celebrate this trembling beauty." http://www.nytimes.com/2003/04/06/arts/dance/06DUNN.html American Ballet Theater Studio Company America leaves us standing - When it comes to young dancers, the US has all the talent Revelry UK, London, Linbury Studio Theatre Dancers: Hidalgo, Tidwell by Jann Parry "These are apprentice dancers aged 16 to 20, ready to become polished professionals. " The Observer Paul Taylor Dance Company The 'Fire' This Time: Paul Taylor Heats Up the Dance Season, and a Critic's Enthusiasm Promethean Fire USA, New York, City Center Dancers: Corbin, Viola by Terry Teachout "...Taylor's "Promethean Fire," premiered at City Center, is the best new dance I've seen in ages." Washington Post Mark Morris Dance Group Musical motifs elevate dance in latest Mark Morris works V, Serenade for Guitar, Going Away Party, Resurrection USA, Seattle, Meany Hall Dancers: Morris by Mary Murfin Bayley "Morris ... has received ample criticism over the years for what was called the "Fantasia" effect of matching step to note. "The four works that the Mark Morris Dance Group is performing this weekend as part of the UW World Dance series show that this criticism is nonsense." Seattle Times Mark Morris Dance Group Resurrection, Something Lies Beyond the Scene, New Love Song Waltzes, V USA, New York, Brooklyn Academy of Music Dancers: Morris by Terry Teachout "...and "V," the 2001 visualization of the Schumann Piano Quintet that is an edge-of-the-seat drama of pure musical form Washington Post Akram Khan Massive kathak He’s bringing Indian dance to the people. Clifford Bishop on the flat-footed genius of Akram Khan London by Clifford Bishop "I never went to dance school to ‘fuse’ anything. I don’t like the word ‘fusion’. You can’t simply decide to put together contemporary and Indian classical. It has to come from within.” http://www.timesonline.co.uk/article/0,,2101-631975,00.html San Francisco Ballet San Francisco Ballet's 'Jewels' a treasure at last Jewels: Emeralds, Rubies, Diamonds USA, San Francisco, War Memorial Opera House Dancers: Feijoo, Garcia, Hench, Maffre, Possokhov, Tan, Zahorian by Stephanie von Buchau "When its "Polonaise" finally arrives, it is the signal for Balanchine to fill the stage with swirling, silver-and-white dancers, leading to a tremendous, soul-filling climax. SFB's version of "Jewels" is now a must-see." The Daily Review San Francisco Ballet Unbalanced program or unbalanced choices? The Waltz Project, Nanna's Lied, Connotations USA, San Francisco, War Memorial Opera House Dancers: Arce, Boada, Diana, Hench, Low, Maffre, Norman, Pierce, Possokhov, Schull, Starbuck, Tan, Vilanoba, Magierek by Stephanie von Buchau "San Francisco Ballet has been on such a roll that a weak program was inevitable. Tuesday night at the War Memorial Opera House, poor musical choices and an unbalanced repertory kept Program 5 from soaring." The Daily Review Spectrum Dance Theatre Spectrum tests out edgier dance style In a Different Light, A Cruel New World/the new normal USA, Seattle, Intiman Playhouse Dancers: Keppel, Moreno, Peters, Wilkins by Moira Macdonald "Based on Thursday's night's evidence, the company is still a work in progress — but all signs are good.." Seattle Times Ballet San Jose Dancing up a storm The Tempest USA, San Jose, Center for the Performing Arts Dancers: Cherlow, Goldman, Gwatkin, Jacobs, Koltun, Lapshin, Moreno, Perez, Rawson, Strong, Tai, Yoshimoto by Anita Amirrezvani "Although the first act of ``The Tempest'' is well-conceived, the tale gets wobbly during Act 2. That's because it's dominated by a masque, an allegorical play featuring Juno, Neptune and Bacchus and other mythological characters." Mercury News Madeline Leavitt and Holding Up the Sky Combining the timely with the timeless Holding Up the Sky USA, Culver City, Gascon Center Theatre Dancers: Bergenholtz, Gilbert by Lewis Segal "Responding to violence against women, the devastation of war and other issues of the day, "Holding Up the Sky" offers a strongly crafted hour of dance theater..." Los Angeles Times Eiko and Koma Eiko & Koma offer rare masterpiece Snow, Offering USA, Boston, Blackman Auditorium (Northeastern University) Dancers: Eiko, Koma by Theodore Bale "...this accomplished duo continues to create idiosyncratic theater events that assert ideas of non-aggression, impermanence and harmony with the environment." Boston Herald Les Ballets C de la B Foi UK, London, Queen Elizabeth Hall by Jann Parry "...Foi's convictions are muddled. An overloaded workshop piece, it leaves you punch-drunk." The Observer
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Bruce
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06-04-03, 12:17 PM (GMT) |
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3. "RE: Sunday Links - 6 April 2003"
In response to message #2
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San Francisco Ballet Jewels: Emeralds, Rubies, Diamonds USA, San Francisco, War Memorial Opera House Dancers: Castilla, Diana, Feijoo, Garcia, Hench, Hohenstein, Maffre, Mangosing, Maynard, Possokhov, Smith, Tan, Winfield, Yamamoto, Young, Zahorian by Renee Renouf "(Diamonds) Yuan Yuan Tan enjoyed a great success in this role last season, and Roman Rykine, now recovered from the problem with his Achilles and with Boston Ballet, made an equal impression as her partner. His precise, clear technique and his elegant legs added to the excitement. The pair were breathtaking." Ballet.co MagazineSan Francisco Ballet The Waltz Project, Nanna's Lied, Connotations USA, San Francisco, War Memorial Opera House Dancers: Boada, Brandenhoff, Diana, Legate, Low, Maffre, Martin, Miner, Possokhov, Schull, Tan, Vilanoba, Waldo by Renee Renouf "Program V ... had its moments, an interlude with uniformly good dancing, uneven in the works scheduled." Ballet.co Magazine Phoenix Dance Theatre The Fact That It Goes Up, Requiem, Me and You UK, London, Sadler's Wells Dancers: Ourila, Seabra, White by Anne Marriott "I had better admit straight away that I prefer the original Phoenix..." Ballet.co Magazine |
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Bruce
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06-04-03, 12:57 PM (GMT) |
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5. "RE: Sunday Links - 6 April 2003"
In response to message #4
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>Sunday Express has a feature on >Altynai Asylmuratova. Yes... and tonight it will be on Ballet.co too! |
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Bruce
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07-04-03, 08:20 AM (GMT) |
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7. "Monday Links - 9 April 2003"
In response to message #0
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Royal Ballet 3 stars Nureyev bill: Apollo, Raymonda act III, Memory, In the Middle duet, Images of Love, Surge, La Sylphide pdd UK, London, Covent Garden Dancers: Acosta, Bussell, Cojocaru, Cope, Galeazzi, Guillem, Hilaire, Kobborg, Nunez, Mukhamedov by Judith Mackrell "Audiences will be able to gauge their reactions to the evening by their response to its opening item, Memory. Irek Mukhamedov reads lines from Pushkin ... and dances ... an early solo that Ashton choreographed for Nureyev. It is heroically romantic, heroically hammy." The GuardianRoyal New Zealand Ballet Passion abounds at Tasmanian festival Melting Moments, FrENZy, Milagros, Paquita Variations Tasmania, Launceston, Princess Theatre Dancers: Fletcher, Wright by Lee Christofis "RNZB's surprise, and festival triumph, was Milagros, by contemporary Venezuelan choreographer Javier de Frutos, inspired by medieval religious rituals and miracles and by early Modernism in a remarkable pianola recording of Stravinsky's Rite of Spring." The Australian Nederlands Dans Theater (NDT 2) Stepping high Nederlands Dans Theater stays true to form – taking risks. Orange County by Laura Bleiberg Marian Sarstädt, AD - "I feel it's very easy not to take chances. I know financially it's not good to take chances, but somewhere we have to start living dangerously again." http://www2.ocregister.com/ocrweb/ocr/article.do?id=33286§ion=SHOW&subsection=DANCE&year=2003&month=4&day=6 Les Ballets C de la B 4 stars Foi UK, London, Queen Elizabeth Hall by Donald Hutera "Setting, actions and text (mainly in English) suggest that we are witnessing fairly immediately the aftermath of a World Trade Centre-style disaster. The performers embody either angels or obliviously self-absorbed humans." The Times Eifman Ballet American As Russian Ballet Who's Who USA, New York, City Center Dancers: Ananyan, Arbuzova, Galichanin, Markov, Matulevsky, Melkaev, Povorozniuk, Siadzko, Smekalov, Turko by Clive Barnes "Whichever cast you catch, "Who's Who" is a sweet, funny, wildly imaginative and, yes, charmingly Russian, view of America and why we like it hot." New York Post Eifman Ballet Russians Discover America, the Myth Who's Who USA, New York, City Center Dancers: Ananyan, Arbuzova, Galichanin, Matulevsky, Siadzko, Smekalov, Turko, Markov, Melkaev, Povorozniuk by Anna Kisselgoff "In a way Mr. Eifman is his own worst enemy, pouring out a torrent of ideas and details with such superfast theatricality that too much slips by to allow for depth and development." The New York Times Christopher Stowell - Pacific Northwest Ballet & Oregon Ballet Choreographer follows in his parents' dance steps Seattle By Lynn Jacobson "I'm not as interested in creating work that's popular, that appeals to a non-dance or non-theater audience," he says. http://seattletimes.nwsource.com/html/classicalmusicdance/134669951_stowell06.html Dorrell Martin Dance Fusion Martin's Fusion states the obvious D Dance: A Word in Private, Enlighten, Sweet Misery, Between Us, Build-Up, Rubric USA, Houston, Hobby Center Dancers: Canete, Dones, Guy, Manzanales, Nathan-Murphy, Thorton-Stein, Walker by Molly Glentzer "His latest works were adept enough structurally; Martin shifted dancers around the stage swiftly in changing patterns. But his vocabulary was limited, and too many of Friday's dances described the obvious..." Houston Chronicle
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Bruce
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08-04-03, 08:10 AM (GMT) |
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9. "Tuesday Links - 10 April 2003"
In response to message #0
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It looks like BT / the Network has some huge problems in locating certain sites at the moment and about 30% of the overseas sites we visit are not there! Will try again later for them. In the meantime...Royal Ballet Artists in an unequal fight Nureyev Bill: Apollo, Raymonda act III, Memory, In the Middle pdd, Images of Love, Romeo and Juliet pdd, and others UK, London, Covent Garden Dancers: Acosta, Bussell, Cojocaru, Cope, Galeazzi, Guillem, Hilaire, Kobborg, Kumakawa, Morera, Mukhamedov, Nunez by Clement Crisp "Tetsuya Kumakawa won my vote by dancing the Corsaire solo without any filmic distraction: it is one of those blink-and-you-miss-it numbers, and he whistled over the stage like a distracted budgerigar, but at least we saw what he was doing." The Financial Times Royal Ballet In the shadow of the master Nureyev Bill: Apollo, Raymonda act III, Memory, In the Middle pdd, Images of Love, Romeo and Juliet pdd, and others UK, London, Covent Garden Dancers: Acosta, Bussell, Cojocaru, Guillem, Hilaire, Kobborg, Mukhamedov, Putrov, Rojo, Watson, Kumakawa by Debra Craine "We finish with Nureyev’s flamboyant staging of Act III of Raymonda, a shameless display of classical kitsch led by a triumphant Guillem. No other ballerina in the world could produce the kind of imperious glamour she brings to the choreography. Nureyev would have been proud." The Times Royal Ballet In the shadow of a genius Nureyev Bill: Apollo, Raymonda act III, Memory, In the Middle pdd, Images of Love, Romeo and Juliet pdd, and others UK, London, Covent Garden Dancers: Acosta, Bussell, Cojocaru, Galeazzi, Guillem, Hilaire, Kobborg, Nunez, Rojo by Luke Jennings (Apollo) "Carlos Acosta's rendition of the young god is wholly different in tone from Nureyev's, but the newly minted nobility and pantherine stillnesses that he brings to the part are born of the same dramatic temperament." Daily Telegraph Rambert Dance Company Famous for 15 minuets, and other tricks Visions Fugitives UK, Woking, New Victoria Dancers: Liburd by Jenny Gilbert (Visions Fugitives) "Van Manen succeeds by paring everything to its formal essentials, even while introducing quirky twists." Sunday Independent Ballet San Jose Smuin whips up imposing 'Tempest' - Ballet San Jose stages perfect storm The Tempest USA, San Jose, Center for the Performing Arts Dancers: Goldman, Gwatkin, Koltun, Lapshin, Moreno, Yoshimoto, Anderson, Dalle by Octavio Roca 'With works by Petipa right through the late John Cranko and the Bay Area's own Smuin, Helgi Tomasson and Yuri Possokhov, there's been a powerful trilogy of narrative dance: the Stuttgart Ballet's "Romeo and Juliet," San Francisco Ballet's "Don Quixote" and now Ballet San Jose's "The Tempest"' San Francisco Chronicle San Francisco Ballet Morris' new 'Sylvia' to close '04 season Ballet to perform seldom-seen classic, centennial salutes for Balanchine, Ashton San FRancisco by Octavio Roca "A new version by Mark Morris of the romantic ballet "Sylvia," centennial celebrations of George Balanchine and Sir Frederick Ashton and the return of "Don Quixote" will be among the highlights of San Francisco Ballet's 71st season..." http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/04/07/DD13902.DTL&type=performance Perm State Ballet Tchaikovsky with a twist Swan Lake, Sleeping Beauty USA, Cerritos, Center for the Performing Arts Dancers: Araptanova, Geer, Kulagina, Mashkina, Mershin, Moiseeva, Volkov by Lewis Segal "If the difference between the old Perm "Swan Lake" and the new Perm "Sleeping Beauty" suggested that artistic director/ballet master David Avdysh is well on the way to upgrading his company's repertory to international standards..." Los Angeles Times Phoenix Dance Theatre 3 stars The Fact That It Goes Up, Requiem, Me and You UK, London, Sadler's Wells by Judith Mackrell "So far it is as a director, rather than a choreographer, that Bhuller triumphs in the new-look Phoenix." The Guardian Eifman Ballet A walk on the light side Who's Who USA, New York, City Center Dancers: Arbuzova, Siadzko, Turko by Robert Johnson "Despite its intentional stupidities, "Who's Who" also has something profound to say about the immigrant experience, which involves trading identities in deeply personal ways.." The Star-Ledger Vincent Dance Theatre Famous for 15 minuets, and other tricks Let The Mountains Lead You To Love UK, London, The Place Dancers: Kujawska by Jenny Gilbert "Call me unsubtle but I do love a good stunt, and choreographer Charlotte Vincent is happy to provide stunts by the truckload..." Sunday Independent Vincent Dance Theatre 2 stars Let The Mountains Lead You To Love UK, London, The Place Dancers: Howard, Kay, Kujawska, Lubos, Orlik by Donald Hutera "The 70-minute piece was devised under her (Vincent) guidance by six performers hailing from Austria, Poland and Britain. "The result is an undernourished scramble of Chekhov, Pina Bausch and a party" The Times Dance Performance Group Nancy Havlik, Out of Step Afternoon of a Faun, You're covered with thick cloud, Amazon Dreams, Mouse Tails, Kinetic Stories USA, Washington, Dance Place Dancers: Torres by Lisa Traiger "The language of movement isn't enough for choreographer Nancy Havlik. She fills her pieces with words, poems, monologues and dialogues, spoken and recorded...." Washington Post Old Dancers CRITIC'S NOTEBOOK - Leap toward ageism a backward step in dance A Delhi High Court shelves dancers over 45, ghettoizing a generation of India’s most fabled dancers. Los Angeles By Lewis Segal "Two steps forward, one step back: That's the Dance of Progress, and it's being performed right now on a number of world stages. "One of them is India, a nation with an enviably generous tradition of official go..." http://www.calendarlive.com/stage/dance/cl-et-segal8apr08,0,6105146.story?coll=cl%2Ddance |
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AnnWilliams
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09-04-03, 09:22 AM (GMT) |
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11. "RE: Wednesday links 9th April 2003"
In response to message #10
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Arc Dance Company Competent but Bloodless Hamlet UK, Blackpool, Grand Theatre Dancers: Boggess, Fong, O'Keeffe, Tharp by Zoe Anderson "The impassive faces onstage make it clear that this is Serious Modern Dance: nobody actually acts. The style is fluent, competent and bloodless." Daily TelegraphStuttgart Ballet cancels New York performances Robert Johnson in the New Jersey Star-Ledger reports on dance, including the news that the Stuttgart Ballet is to cancel its NY appearance due to the depressed economy and poor ticket sales: http://www.nj.com/entertainment/ledger/index.ssf?/base/entertainment-0/1049869470207020.xml Deja Donne Clothes May be Flung off, but Anxieties Still Remain In Bella Copia USA, New York, Dance Theater Workshop Dancers: Benes-McGadie, Capkova, Malek, Noguchi, Popova, Vajsar by Anna Kisselgoff " "In Bella Copia" purports to be about people acting out their dreams through power games, but it is more about what humans do to humans. That the dreams will be shattered is a given from the first welcoming speech, full of irony, from Jan Benes-McGadie as an expressly unpersuasive M.C." The New York Times San Francisco Ballet Ballet renditions enhance passion of beloved stories: 'Quixote', 'Romeo & Juliet seen' anew Don Quixote USA, San Francisco, War Memorial Opera House Dancers: Pierce, Sofranko, Solomakha, Tan by Steven Winn "Yuan Yuan Tan's Kitri was all feisty, resilient spirit With the jaunty lift of her chin, casual high-fiving of a friend and smirk of gratification at a flower presented by Basilio (Vadim Solomakha), she made her flickering, look-at-me moods the center of attention." San Francisco Chronicle Stuttgart Ballet Ballet renditions enhance passion of beloved stories: 'Quixote', 'Romeo and Juliet' seen anew Romeo and Juliet USA, San Francisco, Zellerbach Hall Dancers: Barankiewicz, Kang by Steven Winn "From beginning to end, John Cranko's 1962 "Romeo and Juliet" is a marvel of narrative resourcefulness and inspiration. The ballet may not include every character and event in Shakespeare's play, but it seems to capture and concentrate every turbulent emotion." San Francisco Chronicle b]Mark Morris Dance Group Double Takes Kolam, New Love Song Waltzes USA, New York, Brooklyn Academy of Music by Joan Acocella "The main reason for his popularity, I think, is his constant yoking of the humblest facts of life—the sweat, the buttocks—with the ideal. On his stage people see their secrets told, and joined to beauty, and they are grateful." The New Yorker Paul Taylor Dance Company Double Takes Promethean Fire, Dream Girls USA, New York, City Center Dancers: Corbin, Viola by Joan Acocella "The upside of Taylor’s double-mindedness, which we saw in “Promethean Fire,” is an ambiguity that is not only rich theatrically—it gives shading, texture—but actually looks like truth. The New Yorker This week’s dance in New York Deborah Jowitt in the Village Voice reports on performances by three companies: Sarah Michelson, Sean Curran Company and Mia Lawrence. http://www.villagevoice.com/issues/0315/jowitt.php Also in the Village Voice, Tobi Tobias and Eva Yaa Asantewaa report respectively (and briefly) on Tina Croll’s ‘The Horse’s Moouth’ and Marlies Yearby’s ‘Brown Butterfly’. http://www.villagevoice.com/issues/0315/footnotes.php Ballet schools and witches’ covens: the link ..just for laughs.. http://www.scifi.com/scifiwire/art-film.html?2003-04/08/11.15.film
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Jane S
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09-04-03, 02:38 PM (GMT) |
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14. "RE: Wednesday links 9th April 2003"
In response to message #13
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What Britain Lost John Percival's article on what Nureyev might have achieved with the Royal Ballet: The Royal Ballet's special programmes this month, honouring Rudolf Nureyev 10 years on from his death, would have been very different if there had been a successful outcome to talks he had with their management a quarter of a century ago. That was when, unknown to most, the Royal Opera House suggested he might become director of the Royal Ballet. Even his protégée Sylvie Guillem seems unaware of this. In an interview in The Guardian last week she said "he was really sad that they never asked him to be their director". The Independent
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AnnWilliams
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10-04-03, 10:25 AM (GMT) |
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15. "RE: Thursday 10th April 2003"
In response to message #14
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English National Ballet April is the cruellest month Tour de Force: Trapeze, Facing Viv, Manoeuvre, Sideshow, Paquita Grand Pas UK, London, Sadler's Wells Dancers: Edur, Oaks, Wikstrom by Clement Crisp "Of course a ballet company must experiment, must find new work, new audiences, but I thought Tuesday night's bill a text-book example of How Not To Do It." The Financial TimesEnglish National Ballet Tour de Force Tour de Force: Trapeze, Facing Viv, Manoeuvre, Sideshow, Paquita Grand Pas UK, London, Sadler's Wells Dancers: Edur, Oaks by Judith Mackrell "..these ballets make ENB look more interesting, more versatile, more intelligent than they have in a long while." The Guardian English National Ballet Tour de Force Tour de Force: Trapeze, Facing Viv, Manoeuvre, Sideshow, Paquita Grand Pas UK, London, Sadler's Wells Dancers: Edur, McIlroy, Oaks by Debra Craine "The choreography (of 2 Humans) is spiky, intimate and superbly disciplined. It’s a terrific commission for English National Ballet, and a tour de force for Oaks and Edur." The Times Phoenix Dance Theatre Lost for Clues The Fact That It Goes Up, Requiem, Me and You UK, London, Sadler's Wells Dancers: Hughes, Hytton by John Percival ".. as Phoenix Dance's new artistic director Darshan Singh Bhuller has commissioned two all-dance works to complete this programme" The Independent Stuttgart Ballet Stuttgart Ballet offers mixed performance Seventh Symphony, Dreamdeepdown, Paper Scissors Stone USA, St. Paul, Northrop Auditorium Dancers: Conn, Fernandes, Gauthier, Herrero, Lempertz, Ortega, Reilly by Rick Nelson " "Seventh Symphony" is a platform for fine dancing by the marvelous Stuttgart company... What's frustrating is Scholz's repetitive choreography, and how it ultimately echoes rather than enlarges Beethoven's music." Minneapolis Star Tribune Joffrey Ballet of Chicago Joffrey shows it's still afloat after move to Chicago Light Rain, Sea Shadows, Italian Suite, L'Air D'Esprit USA, Chicago, Browdard Center Dancers: Hamilton, Lopez, Robertson, Shives, Wilkins by Lauren Heist "..the fact that the Joffrey even attempts to honor timeless ballet masters is noteworthy. This is a company that sees itself as upholding the classics and pushing the boundaries at the same time. A standing ovation was proof that the audience was duly impressed." Chicago Sun-Sentinel How ballet dancers audition Fascinating piece by Tanya Barrientos in the Philadelphia Enquirer on New York ballet auditions: “Like swallows to Capistrano, dancers from all over the globe swoop into Manhattan every year for a chance to plié, jeté and port de bras in front of company directors who can make or break their fledgling careers.” http://www.philly.com/mld/inquirer/news/magazine/daily/5589537.htm St. Petersburg’s White Nights Festival in Japan The Daily Yomiuri online reports on the White Nights celebrations in St. Petersburg. This year it will also feature as part of the Russian Arts Festival in Japan. http://www.yomiuri.co.jp/newse/20030410woa6.htm
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Brendan McCarthy
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10-04-03, 11:22 AM (GMT) |
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16. "RE: Thursday 10th April 2003 (2)"
In response to message #15
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LAST EDITED ON 10-04-03 AT 11:24 AM (GMT) Royal Ballet A flawed tribute to greatness Nureyev Bill: Apollo, Raymonda act III, Memory, In the Middle pdd, Images of Love, Romeo and Juliet pdd, and others UK, London, Covent Garden Dancers: Acosta, Bussell, Cojocaru, Guillem, Hilaire, Kobborg, Kumakawa, Mukhamedov, Putrov, Rojo, Watson by Nadine Meisner "The Royal Ballet's tribute to Rudolf Nureyev begins wonderfully and ends very nicely, but in the middle it falls prey to one of the most massive miscalculations ever committed in dance history. Too many hands seem to have been determined to be involved; too many memories intent on asserting their angle on the Nureyev phenomenon." The Independent Royal Ballet Giannandrea Poesio, writing in The Spectator (not online) was incandescent with anger: "Professional etiquette prevents me from writing what I truly think of the persons who had the despicable idea of juxtaposing the screened images with the totally unrelated dancing on stage. I found the whole thing utterly diminishing for the excellent dancers and I cannot believe that such an idea was approved by the powers that be." Sarah Frater, writing in The Standard (not online), was similarly unimpressed. "Utterly wrongheaded - apart from the overwhelming multiplicity of images,the bright screen plunged the dancers into silhouette rendering them barely visible." |
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Bruce
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11-04-03, 07:34 AM (GMT) |
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17. "Some first Friday Links - 11 April 2003"
In response to message #0
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I just did some magazine pages...Royal Ballet Nureyev Bill: Apollo, Raymonda act III, Memory, In the Middle pdd, Images of Love, Surge, and others UK, London, Covent Garden Dancers: Acosta, Arestis, Bussell, Cojocaru, Cope, Galeazzi, Guillem, Hilaire, Kobborg, Kumakawa, Morera, Mukhamedov, Nunez, Putrov, Rojo, Watson by Lynette Halewood "All in all a very successful evening which received a really warm welcome from the audience, much more vocal and excited than they have been for some time." Ballet.co Magazine Royal Ballet Nureyev bill: Apollo, Raymonda act III, Memory, La Sylphide pdd, Images of Love, Surge UK, London, Covent Garden Dancers: Arestis, Guillem, Hilaire, Kobborg, Kumakawa, Morera, Mukhamedov, Putrov, Rojo, Watson by Suzanne McCarthy "The current ROH triple bill is meant as a tribute to Rudolf Nureyev. Certainly the programme notes did him credit, and I had looked forward to the evening with great expectation. What was delivered, however, was either merely a device for getting former ROH stars back onto the Opera House stage or an open invitation to Sylvie Guillem to take a run down memory lane. Maybe it was a combination of both. In any event, at least if you were sitting in the stalls, it was a mess..." Ballet.co Magazine Ballet San Jose The Tempest USA, San Jose, Center for the Performing Arts Dancers: Anderson, Dalle, Gwatkin, Jacobs, Koltun, Lapshin, Perez, Tai, Yoshimoto, Rodriguez by Renee Renouf "If this recitation is disjointed, so was the ballet. Just as magic began to twinkle on stage, it went exeunt, replaced by physical blatancy. I guess that's life." Ballet.co Magazine |
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AnnWilliams
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11-04-03, 10:36 AM (GMT) |
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18. "RE: Friday Links - 11 April 2003 (2)"
In response to message #17
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English National Ballet Suspended Animation Tour de Force: Trapeze, 2 Human, Facing Viv, Manoeuvre UK, London, Sadler's Wells Dancers: Edur, McIlroy, Oaks, Wikstrom, Bosch, Hollins by Zoe Anderson "(Prokofiev's score was) melodic and astringent, getting sharper as it goes.Hampson abandons the original circus scenario... .. this is the kind of abstract ballet that has a plot" Daily Telegraph Paul Taylor Dance Company, Houston Ballet Anna Kisselgoff in the NY Times reviews a double performance in celebrtation of the work of Paul Taylor: “ The program's title is "Celebrating an Icon: The Legacy of Paul Taylor," and the icon himself received a well-deserved standing ovation at the center's Eisenhower Theater on Wednesday night” http://www.nytimes.com/2003/04/11/arts/dance/11BEGI.html
Alpha Omega Dance Company Grief and Joy: Stark Contrast Elegy, Pegao, Alone in This World, Urban Rituals USA, New York, Aaron Davis Hall Dancers: Boyd, Clark, Henry by Jennifer Dunning "in "Pegao," ...a seeming cast of hundreds spilled out across the stage in dance of syncopated strides and struts with extra-sinuous choreography for the dancers' bottoms" The N | | | | |