HomeMagazineListingsUpdateLinksContexts

 


 Ballet.co Postings Pages

 Some Special Threads:
  GPDTalk about George Piper Dances ! NEW !
  NBTTalk about Northern Ballet Theatre
  SBTalk about Scottish Ballet
  ENBTalk about English National Ballet
  BRBTalk about Birmingham Royal Ballet
  TodaysLinks - worldwide daily dance links
  Ballet.co GetTogethers - meetings and drinks...

  Help on New Postings


Subject: "NBT at Canterbury" Archived thread - Read only
 
  Previous Topic | Next Topic
Printer-friendly copy     Email this topic to a friend    
Conferences What's Happening Topic #2795
Reading Topic #2795
Flight

08-06-02, 09:44 AM (GMT)
Click to EMail Flight Click to send private message to Flight Click to view user profileClick to add this user to your buddy list  
"NBT at Canterbury"
 
   LAST EDITED ON 08-06-02 AT 09:46 AM (GMT)

I attended a performance of NBT's 'I Got Rhythm' on Thursday 6th June at Canterbury's Marlowe Theatre. I also attended a short Q&A session in the morning and then watched company class.

The barre was a very simple one - could have done it myself. They began with demi plies (often quite painful if you were hard on your body the day before) and progressed to full plies. I was suprised that the dancers chose which position to do their plies in. I hate doing them in the second position, but it's good for me and I certainly wouldn't do a class without them. Overall, I found the barre work un-disciplined.

In the centre the dancers only did virtuouso work, and no adage. I hope that they alternate and that adage is not neglected in this company. I was suprised to find that many of the woman could not manage a double pirouette en dedans. The turns of Hironao Takahashi (it was his birthday!) were partularly good.

I was extremely dissapointed and unimpressed with 'I got Rhythm'. After reading the Guardian review, which awarded the show five stars, I expected something good.

The ballet is danced to Gershwin's music and from the beginning I found it quite uninspired. The choreographer, David Nixon, didn't make use of the dancer's individual technical skills (I also noticed this when I saw 'A Christmas Carol' at Leeds in January.) There were flexed feet for no apparent reason. Flexed feet and Gershwin? Not exactly slick. There was a dance to 'I Got Plenty O' Nuttin' which was reminiscent of Ashton, apart from the fact that it wasn't Ashton and had non of Ashton's charm. However, the dancer, Christian Broomhall, was good throughout the evening. The show ended with a can-can type number and the whole thing was more cabaret in pointe shoes than ballet, and went on for far too long

There were some good points, but they certainly didn't outweigh the bad: The dance to 'My Man's Gone Now' was done in flat shoes and was emotional and moving. The set was wonderful, although I wasn't keen on most of the costumes. The thirty-strong orchestra played on stage and were excellent in my opinion. In fact, I often found myself watching the conductor, who danced more energetically and with much more rhythm and enjoyment than most of the dancers. The twenty-three year old pianist, Jonathan Scott, was absolutely marvellous. At the end, after the first round of applause, he and the conductor danced with the cast.

But overall, I didn't enjoy it (although most of the audience did greatly) and wouldn't really recommend it unless you've nothing else to do and haven't got a long trip to make to see it.


  Printer-friendly page | Top

  Subject     Author     Message Date     ID  
  RE: NBT at Canterbury Flight 08-06-02 1
     RE: NBT at Canterbury Tomoko.A 09-06-02 2
         RE: NBT at Canterbury Flight 09-06-02 3

Conferences | Topics | Previous Topic | Next Topic
Flight

08-06-02, 09:52 AM (GMT)
Click to EMail Flight Click to send private message to Flight Click to view user profileClick to add this user to your buddy list  
1. "RE: NBT at Canterbury"
In response to message #0
 
   Just read the Times review and they seemed to like it too. Must just be me!

BTW, I meant Ashton's 'Tweedledum and Tweedledee', not all of Ashton.


  Printer-friendly page | Top
Tomoko.A

09-06-02, 01:52 AM (GMT)
Click to EMail Tomoko.A Click to send private message to Tomoko.A Click to add this user to your buddy list  
2. "RE: NBT at Canterbury"
In response to message #1
 
   Flight, thanks for your review. It was interesting to read your thoughts about their class. I'm going to see Madam Butterfly in Bath this month. I wanted to watch their class before the performance, but the tickets were already sold out when the public booking was opened. I assume all tickets have gone to the Friends. Did they have the class on the stage ? If so, the space is limited and maybe they didn't do their usual class.
Did you go all the way to Canterbury just to see them ? ( I recall you once said you live in Durham.)


  Printer-friendly page | Top
Flight

09-06-02, 06:44 AM (GMT)
Click to EMail Flight Click to send private message to Flight Click to view user profileClick to add this user to your buddy list  
3. "RE: NBT at Canterbury"
In response to message #2
 
   Yes, they did their class on stage. I still think they had room to do dome adage. I would assume that on tour they normally do it on stage anyway - where else? But then I am just adage obsessed and would have probably died in that class, or at least fallen over several times (but some of them did too!). This is actually the first company class I've seen, because they always insist on having them when I am at school.

I was going to go to Leeds to see it (a bit closer!) but I have relatives in Canterbury.


  Printer-friendly page | Top

Conferences | Topics | Previous Topic | Next Topic

 
Questions or problems regarding this bulletin board should be directed to Bruce Marriott