HomeMagazineListingsUpdateLinksContexts

 


 Ballet.co Postings Pages

 Some Special Threads:
  GPDTalk about George Piper Dances ! NEW !
  NBTTalk about Northern Ballet Theatre
  SBTalk about Scottish Ballet
  ENBTalk about English National Ballet
  BRBTalk about Birmingham Royal Ballet
  TodaysLinks - worldwide daily dance links
  Ballet.co GetTogethers - meetings and drinks...

  Help on New Postings


Subject: "BRB's R&J" Archived thread - Read only
 
  Previous Topic | Next Topic
Printer-friendly copy     Email this topic to a friend    
Conferences What's Happening Topic #2615
Reading Topic #2615
Ann Welsh

04-04-02, 02:38 PM (GMT)
Click to EMail Ann%20Welsh Click to send private message to Ann%20Welsh Click to view user profileClick to add this user to your buddy list  
"BRB's R&J"
 
   Last night's performance of R&J at Sunderland was preceeded by a minute's silence in memory of the Queen Mum.

The R&J sets and costumes were sumptuous, the colours glorious.

The performance itself started in a fairly subdued way and I did wonder if it was because the sets took up a large part of the stage, forcing the dancers into small steps, limited movement and almost lethargic movement. However, one quickly forgot about this as the show built up momentum. Robert Parker and recently-made principal Rachel Peppin were the young lovers and they were a beautifully matched pair. Peppin is exactly right for Parker, both dancers smallish and neatly made which promises a very good future partnership for the company.

As usual Parker's dancing was immaculate and his acting as good as ever. I don't think Peppin is a natural Juliet - her real abilities are in character parts - and she did take a little while to get into the role, but by the balcony scene she managed to get there and in the final death scene there couldn't have been a dry eye in the house. But I'd really like to see her with Parker in Fille or Pigeons.

Whoever choreographed the fight scenes deserves an Oscar. The flashing sword-play was breathtaking, particularly on such a cramped stage. How there were no injuries, I will never know.

That night we also had a chance to see Michael Revie as Mercutio. What a dancer! Tightly controlled, beautiful dancing plus a totally believable and appealing character. A great asset for BRB. I believe he earned the greatest applause at the end.

All in all a glittering evening with all the usual BRB suspects in the castlist. Marion Tait deserves a special mention for a dramatically distraught Lady Capulet keening over her son's dead body.

One, I think, to watch out for is Kosuke Yamamoto, small of stature, sturdy of body, but a great character actor. I remember his gypsy boy in Pigeons last year and in R&J he leads the mandolin players with great flair and joie de vivre.

And, of course, for all those Sunderland United supporters out there in the audience, the programme came with a complimentary CD of the Knights' Dance, the club's anthem. I bet they won't get that in Bradford .


  Printer-friendly page | Top

  Subject     Author     Message Date     ID  
  RE: BRB's R&J Ann Welsh 04-04-02 1
     RE: BRB's R&J Flight 05-04-02 2

Conferences | Topics | Previous Topic | Next Topic
Ann Welsh

04-04-02, 04:12 PM (GMT)
Click to EMail Ann%20Welsh Click to send private message to Ann%20Welsh Click to view user profileClick to add this user to your buddy list  
1. "RE: BRB's R&J"
In response to message #0
 
   Oh yes, and forgot to mention... What was glaringly obvious, and sorry to bang (oops, no pun intended ) on about this, but what blissful quietude accompanied all the dancing. No clonking pointes or thumping landings. The men landed softly, the girls pretty well as much as they could, even against the most quiet moments of orchestral accompaniment. Surely the RB must take a lesson from BRB's secret ingredient.


  Printer-friendly page | Top
Flight

05-04-02, 07:15 PM (GMT)
Click to EMail Flight Click to send private message to Flight Click to view user profileClick to add this user to your buddy list  
2. "RE: BRB's R&J"
In response to message #1
 
   And the conductor was marvellous! I was fifth row back, aisle seat, in the stalls and I had a wonderful view. He was doing more work than many of the dancers, and he had sweat absolutely pouring down his face.

Lee Fisher's Tybalt was very good - that leap after he had been stabbed!


  Printer-friendly page | Top

Conferences | Topics | Previous Topic | Next Topic

 
Questions or problems regarding this bulletin board should be directed to Bruce Marriott